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the smith quartet
© 2013
all rights reserved


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  the smith quartet  
For over 20 years The Smith Quartet  have been at the forefront of the world’s contemporary music scene.

They have developed a repertoire by some of the world’s most exciting composers and have established an international reputation for their dynamic style and original approach to contemporary music.

 
IAN HUMPHRIES – VIOLIN
RICK KOSTER – VIOLIN
NIC PENDLEBURY – VIOLA
DEIRDRE COOPER – CELLO

FORTHCOMING CONCERTS
April 19th 2013
St George’s
Great George Street, Bristol
A Performance of the Complete String Quartets by Phillip Glass
External linkwww.stgeorgesbristol.co.uk
June 1st 2013
St John’s
Smith Square, London
Michael Nyman - The Complete String Quartets (incLUDING THE UK Premiere of String Quartet No. 5)
External linkwww.sjss.org.uk


General Management
Stephen Chamberlain
stephendchamberlain@gmail.com

T: +44 (0)7932 100542






PRS Foundation
The Smith Quartet gratefully acknowledge funding from the PRS Foundation

 

LATEST RELEASE
 
Dance Dance
The Smith Quartet
AVAILABLE FROM
SIGNUM RECORDS
order it online here
VIEW MORE


“Listen, reflect, marvel.”
The Observer, February 2010


“In 2006, the Huddersfield Contemporary Music festival focused on Morton Feldman, one of the few important composers of the second half of the 20th century whose music had not previously been featured at the festival. At the centre of this belated tribute was a survey of Feldmanʼs works for piano and strings, spread across several recitals, with pianist John Tilbury and the members of the Smith Quartet. They were extraordinary experiences.”
The Guardian, February 2010


“…the superb Smith Quartet…”
The Times


“Effortless class…”
BBC Radio 3: Andrew McGregor’s CD review


“As versatile as the Kronos Quartet, and smoother than the Brodskys, The Smith Quartet have edged ahead of their competitors in contemporary chamber music…”
The Independent On Sunday


“How long before the Kronos is labelled the ‘American Smith Quartet’?… they are ahead of the curve at generating new repertoire and taking the experimental back-catalogue seriously…”
Classic FM Magazine